Classical Architectural Styles Displayed by Church Buildings in the Beaches
Q2. Name two classic styles of church architecture found in the Beaches?
Q6. Why is the detailing so much simpler on St. John’s Catholic Church than Kingston Road United?
Take a Sunday stroll and experience that small town feeling while taking in some Roman and
Gothic Revival styles of the local churches.
Each time you stroll about the Beaches you may notice that the tallest structures are church
buildings displaying their marvellous architecture against a clear blue sky. Some are ornate, several
feel quite massive, others understated. Church buildings in the Beaches are not that large or striking compared
to some of the magnificent church buildings downtown, but with our small town feel, without high
rises, they distinguish themselves as the tallest in the neighbourhood. Often they are used as cell
phone towers. You may even notice transmitter towers on some!
Most churches we see in Europe and Britain are classic examples of Roman or Gothic architecture. Architects were inspired
by such classics and in the late 1800s developed the Gothic Revival and Romanesque Revival styles of architecture. In
Canada, such styles retained a strong foothold on church architecture well into the 1950’s. Many of the churches in the
Beaches display some classical details of Gothic and Romanesque Revival, particularly in their window and entry design.
THE FORM
Form is perhaps the single most important design aspect of classic church architecture.
Look at Corpus Christi, a Romanesque Revival church. It is somewhat squat and the linear elements of its façade
emphasize the horizontal. The other three churches shown in the pictures are typical Gothic Revival design. Their worship
spaces are relatively narrow and high, symbolic of reaching to God. On the exterior, the alignment of the
doors and windows also emphasize the vertical, in addition to vertical lines, created through stepped
surfaces or buttresses.
All four churches have interior clerestory walls and side aisles. Clerestory walls, supported on
columns, emphasize the verticality of the space and also let in daylight. Side aisles ease movement
throughout and provide daylight to the outer areas. Kingston Road United is the only church designed
in a traditional cruciform shape. Builders traditionally added such transepts to support a central
cupola or tower, but typical of Revival style, such elements were not added to this building.
THE SHAPE
The shape of the arch over openings is a defining architectural detail. In Romanesque architecture,
the arch is semi-circular, in Gothic it is pointed. Typical of Romanesque Revival style, Corpus
Christi has a massive arch enclosing the entrance. Kingston Rd, St. John’s and Calvary are Gothic
Revival. They have similar entrance façades with arched openings for the doors and windows. Their surrounding
wall treatment emphasizes the verticality of the building design.
THE EXTERIOR DETAILS
The details on the exterior of these four churches are notably striking. Most attention has been paid to the entry
façade. Look at them closely next time you walk by because each is unique.
Corpus Christi Catholic is the oldest, built in 1926. Its massive Romanesque Revival stone arch
gives way to patterned stone detail above a pair of smaller arches. The semicircular arches above the square topped
doors are plain stone punched by a circular window. The detailing in those Windows is repeated in the lower windows.
Masonry detailing above the entry tends to be sparse.
Kingston Road United was constructed just after 1925 when Methodist and many Presbyterian
churches joined to form The United Church of Canada. Built before the 1929 Depression, its Gothic
Revival detailing is the most elaborate of the four. Considerable carved stone detailing is used throughout the façade.
Once again, the overall effect of the design enhances its verticality.
St. John’s Catholic was constructed in the midst of the Depression (1931). Its detailing,
therefore, is simpler yet interesting. Wood tracery of the window infilling the doorway arch is matched in the
stone tracery of the window above. Buttresses frame the entrance but they rise only part way up the façade wall. Capping
that wall face is a set of carved stone panels with the centre panel being, presumably, of St. John. The foreshortened
buttresses and this set of panels minimize the verticality of the wall.
Calvary Baptist (1952) reflects late Gothic Revival design, particularly in its entry. The doorway is
set in the base of the tower and framed by a carved stone gable. Below, entry doors are set in an
arched opening. Rising from the peak of the gable is a narrow set of arched windows surmounted
by arched craved stone panels, further surmounted by an arched louvered opening. Such detailing
provides a strong vertical element.
Although many of the churches contain Revival details, the four noted here are truer Revival designed churches.
We know that next time you are walking in the neighbourhood, you will appreciate these classic architectural
styles — styles that have spanned continents, endured for centuries, and continue to inspire and enhance our
neighbourhood.
The Beaches offers one of the best places to get an introduction to church architecture Refresh your knowledge
before you take a trip to Europe or Britain, or reminisce on your past vacation as you walk about the neighbourhood.
Information in this article is provide by Bill Menzel of BB&R Architect Inc.
www.BBRarchitect.com